[reblogged from KJ Charles] KJ Charles takes on the "book is my baby" justification and feeds it to a large predator.
We’ve all come across this metaphor. It’s a cry of ownership, a plea for kindness, a go-to excuse for displays of hurt feelings and bad behaviour at negative reviews. “My book is my baby! I love it! What you say about my book hurts me!”
This metaphor is of course very easy to mock. Thus: I don’t put my baby up for sale on Amazon; I don’t think a poorly baby can be made better by cutting 20% of its length; it is not good practice to put a misbehaving baby in a drawer and forget about it for six months. Et cetera. You can entertain yourself with this on Twitter for hours. But there is a serious reason why this is a bad metaphor, which is worth looking at in depth.
Consider what the ‘book as baby’ metaphor conveys: you create a thing, you love it, and you feel deeply protective of it. The metaphor holds up fine for the first two points with a book. You conceived the idea of a book, gestated it at some cost to yourself, brought it into the world with hard work; hopefully you’re pretty proud of the end result.
The problem is point three, the protectiveness.
The thing about a human baby is that it is incredibly, frighteningly helpless. You can’t even pick them up at first without cradling their oversized heads in case their necks snap. Drop it, shake it, hit it, and it could die right there. Babies survive only because they have adult defenders. We are wired to protect them: most people feel an incredible repulsion at the idea of harming any baby, and when you actually bond with one, you will put its existence above your own and, yes, defend it to the hilt from the least insult. Because if you are cruel about my baby, there is an outside chance you might be cruel to my baby, and before I let that happen I will rip off your arm and beat you to death with the wet end. That’s parental protectiveness at work, and it’s necessary because babies are so very easy to hurt.
Whereas, to state the glaringly, gibberingly obvious: You can’t hurt books.
A book isn’t a human baby, it’s a crocodile. It crawls out of the shell fully formed, mobile, independent, and ready to bite things. You should give it a helpful nudge towards the water with marketing, sure. But a protection response is as unnecessary and stupid as if you picked up a baby crocodile and tried to give it a nurturing cuddle, or maybe breastfeed. (Don’t do that.) A bad review may feel like someone throwing mud at your baby, which is just one step away from throwing rocks, PARENTAL MURDER DEATH KILL RESPONSE TRIGGERED. But actually they’re throwing mud at a crocodile ambling by. And the crocodile doesn’t give a toss.
Someone may give your book one star. They may quote it unfairly or make inaccurate assessments. They may do a review on Goodreads with animated gifs to indicate how much they don’t like it. But the book continues to exist, undented by that dislike. The book will not carry the review with it as a bleeding wound, it will not have its final chapter leeched away by the power of negative criticism. A hypersensitive parent of a baby may perceive an insult as a threat, and react accordingly. But an insult to a book isn’t a threat, and carries no risk of harm. It’s just a bad review.
You know who can kill your baby crocodile? You, the author. You can create a crappy three-legged crocodile in the first place. You can kill your crocodile before it leaves the egg by refusing to take editorial advice that might change the way your baby looks. (It looks like a goddamn crocodile. Get over it.) And you can destroy it when it’s out by screaming, “DON’T YOU DARE HURT MY PRECIOUS BABY YOU BITCH I WILL CUT YOU,” at the first person to chuck a handful of mud, until you’ve attracted a full-on stone-throwing retaliatory mob. (Because if you don’t like your book being attacked, well, reviewers don’t much like their reviews being attacked either, and still less a personal assault.)
You cannot and should not try to curate every reader’s response to your book. It’s published, you launched it, now it’s going to have to cope for itself out there in the swamp. Maybe it will thrive, maybe it won’t, but that’s its problem because it is not your baby, and your responsibility for nurturing ended at the point you hit ‘publish’. Go forth, little crocodile! Fly! (Or whatever, I’m not a naturalist.)
And this is why I never want to see ‘My books are my babies’ again. Because it’s a fundamentally inaccurate metaphor that conveys exactly the wrong message about what the author’s relationship to a published work should be.
Just let it go, lay some more eggs, and hope at least one of them grows.
KJ Charles is a freelance editor and metaphorical crocodile farmer. Her most recent release is Jackdaw, published by Samhain. Think of England won Best LGBT Romance in the All About Romance 2015 Readers Poll.
This post is not an endorsement of Lake Placid, from which the above still is taken. Nothing is an endorsement of Lake Placid.